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World
Printmakers Artists Exhibit (and do other things) |
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Dorothy Simpson Krause Mylar stencils, cut by Universal Laser Systems, facilitated the application of pigment and leaf. Details printed on vellum, silver and photo gloss papers were tipped into the book and graphite, colored pencils, markers, metallic pigments, embossing powder and gold leaf were used to add texture and reflectivity. In addition to the 12 x 12 limited and deluxe editions, a 7 x 7 softcover open edition in available online from Blurb . The deluxe and limited editions of Losing Ground are available from Viewpoint Editions . |
Two European Master Printers Show Their Work in a Delightful Provincial Spanish GalleryMaureen Booth and Emilio Sdun exhibit together at the Delagua Gallery in Úbeda, province of Jaén. The inauguration is on Thursday, November 20, 2008 at 8:30 p.m. As both of these printmaking maestros are specialists in artist's books, the show is called "Jardín de Libros," "Book Garden." Emilio is one of a handful of distinguished European letterpress artists, and Maureen made a lasting impression on the Spanish artist's book scene a few years ago with her "Entredós," "Between the Two of Us," a book of contemporary Spanish poetry accompanied by 10 etchings, signed by both the artist and the poets. Located in a renovated 19th-century printshop in the historic center of this monumental provincial city, Delagua is the new love project of Jaén painter, Jesús de la Torre, and Esther Miranda, and they've done it beautifully. Spacious and well lit, the new gallery conserves much of the antique flavor of the old print shop, and reflects the rigorous artistic standards and good taste of its founders. |
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Bradford Wins Big at The Butler The juror for the exhibition was Don Eddy, a noted photorealist painter who shows with Nancy Hoffman Gallery in New York City. http://www.butlerart.com/ . The show was reviewed in The Vindicator 080713 by Rebecca Sloan, pages D1-2.
Sheepscot Village Trees,
a digital drawing |
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. Martha
Jane Bradford Other
Places |
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| April Voller Workshops in July and September Traditional Moku Hanga Japanese Woodblock Printing
A wide range of techniques including tsubushi (flat printing), goma zuri (sesame seed printing), and bokashi (gradation printing) will be demonstrated in a pleasant fume-free environment. Participants will design, cut and print an edition of woodcuts on Japanese paper. The class will also cover sharpening tools, using the kento registration system and printing with a baren. The materials fee includes a set of Japanese cutting tools, wood, paper and color. April has been teaching this technique since 1998, will present this special five-day comprehensive workshop. Beginner and advanced printmakers will enjoy exploring this alternative Eastern printmaking method. You
Missed Santa Fe? There's Still (New) Hope! |
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Minnesota
National Print Biennial Exhibition Deadline for submissions: May 1, 2006 The University of Minnesota is pleased to host the 5th Juried Minnesota National Print Exhibition. It will have a double venue: The Katherine E. Nash Gallery and followed with an exhibition at the Tweed Museum of Art. We extend an invitation for submissions. Please share this with colleagues and artists working in print media. See PDF file version for prospectus which is attached and available at The Department of Art website: http://art.umn.edu. Feel free to contact us with any questions: mnpb@umn.edu, 612-624-7900.
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![]() April Volmer and her friend, Deepanjana |
A show of contemporary American and South Asian artists breaking traditional boundaries, deriving inspiration from each other's land. The show was the inspiration of my friend Deepanjana, who wanted to show the cross influences of Indian and American artists. I had six pieces in the show. I made two prints especially for the show "Breathing In" and "Breathing Out," both Japanese waterbase woodblock prints. I've been printing my woodblocks several times on a sheet to create mandala patterns, and these two have an additional layer of silk-screened insects printed in silver and gold over the surface. |
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Intimations:
Shadows, Reflections and Metaphysical Marks |
| Jorge
de Sousa To celebrate his Point & Marge studio's 25th anniversary, Jorge de Sousa has edited "The Elephants' Crazy Circus," an edition of six elephant-theme color lithographs in a limited edition of eight portfolios only. The prints are done on Japan collé and incorporate Jorge's own JDS process. The portfolio will be presented in the Estampa print fair in Madrid at the end of November, 2003.. |
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Jennifer
Waelti-Walters
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Der Leere gewahr Awarness of emptiness René Böll und/and Gu Gan Ausstellung in der / Exibition in the Deutschen
Botschaft Peking vom 18. - 24. Oktober 2002 Eröffnung:
18. Oktober 2002 um 17.00 Deutsche
Botschaft Peking/German Embassy Peking | ![]() |
| Barbara and Charlotte Milman are currently exhibiting together at the Davis Community Gallery in Davis, California in a delightful and unusual show of Barbara's prints and Charlottes paintings. The show is on till September 6, 2002. Charlotte is Barbara's 91-year-old mother. |
![]() "Engaged" by Barbara Milman |
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Sabra
Field The Art of Place a book by Tom Slayton The first collection of Sabra Fields landmark prints, with commentary by the artist, now in a second edition with thirteen additional images. "Her prints hang in the boardrooms of some of North Americas biggest corporationsand in the cabins of some of New Englands most rustic fishing camps. Among the few contemporary artists whose work has found an enthusiastic following well outside the traditional world of collectors and fine-art experts, Sabra Field has attracted a diverse and growing national audience. Her 1987 Vermont Bicentennial commemorative stamp, for example, depicting yellow farm fields, a red barn, and blue mountains, quickly became one of the U.S. Postal Services best-selling issues, with more than 60 million copies purchased." University Press of New England:http://www.upne.com/1-58465-266-7.html |
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