
Self portrait with fur cap, 1631

The Shell (Conus Marmoreus), 1650. Etching, drypoint
and
burin, State II, Norton Simon
Art Foundation

Christ at Emmaus, 1654

Descent from the cross
by torchlight, 1654

Faust, 1647-51
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The Norton Simon Museum's Intimate Celebration
of Rembrandt's 400th Birthday
In celebration of the 400th anniversary of Rembrandt's birth,
the Norton Simon Museum, Pasadena, California, presents Rembrandt
Rarities: Etchings from the Norton Simon Museum, an intimate
exhibition featuring eighteen of the artist's rare and fine etchings.
The exhibit is open from April 28 through September 11, 2006.
While Rembrandt has long been celebrated as one of the great painters
in the history of Western art, he is equally recognized for his innovative
work as a printmaker. His reputation as a master etcher was proclaimed
during his lifetime, when knowledge of his technical accomplishments
spread throughout Europe and his works were enthusiastically acquired
by collectors.
Then, as today, connoisseurs admired Rembrandt's mastery
of the medium, especially his bold exploration of the expressive potential
of drypoint and burin. In his search for a direct and emotive visual
language using line, the artist transformed his compositions on the
copper plate itself, sometimes over several states. Each state supplanted
the former, resulting in a new, original composition. In addition, the
artist experimented with various types of paper to achieve novel effects.
A Rare Etched Still Life
Rembrandt's The Shell (Conus Marmoreus) from 1650 is a striking
example of a rare work. The artist depicted very few still lifes during
his career, and this is the only which is etched. In addition to its
novelty simply by virtue of its subject, this etching is also extremely
rare because very few impressions are known to exist. Only five examples
of this first state are recorded; of the second state, eleven impressions
are recorded in public collections.
Sometimes an important provenance can add further cachet to a fine print.
On the verso of Rembrandt's Agony in the Garden
(c. 1657) is the signature of Baron J. G. Verstolk van Soelen (1776-1845).
A Rotterdam diplomat and later minister of foreign affairs for the court of The
Hague, the baron assembled one of the three great collections of Rembrandt
etchings in the early-to- mid-19th century. Since he rarely signed the
prints in his collection, his name on this etching attests to its exceptional
provenance.
Rembrandt Rarities is curated by Gloria Williams, curator, Norton
Simon Museum. It is on view April 28th-September 11th in the small temporary
gallery on the Museum's main level.
Public Programs
In conjunction with the exhibition, the Norton Simon Museum will be
screening Alexander Korda's 1936 film, Rembrandt, in the Museum's
cinema on Friday, June 23rd at 7:00 p.m. This feature film is a colorful,
unromanticized, complex biographical portrait of the last three decades
of the life of the 17th-century Dutch master artist (played by Charles
Laughton).
About the Norton Simon Museum
The Norton Simon Museum is known around the world as one of the most
remarkable private art collections ever assembled. Seven centuries of
European art from the Renaissance to the 20th century are on view, including
works by Raphael, Botticelli, Rubens, Rembrandt,Zurbarán, Watteau, Fragonard and Goya. The Museum features a
particularly celebrated Impressionist and Post-Impressionist collection,
with paintings by Manet, Renoir, Monet, Degas, van Gogh, Toulouse-Lautrec
and Cézanne. In addition, there are 20th-century works by Picasso,
Braque, Matisse, Klee, Kandinsky and the German Expressionists. Complementing
the Western art is an outstanding collection of Asian sculpture from
India and Southeast Asia spanning a period of 2,000 years.
The Norton Simon Museum is located at 411 West Colorado Blvd. at Orange
Grove Blvd. in Pasadena, California, at the intersection of the Foothill
(210) and Ventura (134) freeways. For general Museum information, please
call (626) 449-6840 or visit www.nortonsimon.org.
Hours: The Museum is open every day except Tuesday, from 12:00 p.m.
to 6:00 p.m., and 12:00 p.m. to 9:00 p.m. on Friday.
Admission: General admission is $8.00 for adults and $4.00 for seniors.
Members, students with I.D. and patrons age 18 and under are admitted
free of charge. Admission is free for everyone on the first Friday of
every month from 6:00 p.m. to 9:00 p.m. All public programs, unless
explicitly stated, are free. The Museum is wheelchair accessible.
Supplemental images
for this story are kindly ceded by the Connecticut College Wetmore Print
Collection
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Self-Portrait Leaning
on a Stone Sill, 1639


The Flight into Egypt, 1651

The Goldweigher, 1639
See another Rembrandt article from the World Printmakers
Archives, Great Printmakers Series:The
Son of Harmen Gerritszoon
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