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Jenny
Waelti-Walters
CV / Artist's Statement |
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Education 1960-64 B.A.Hons,
University of London, UK 1998-2000
Diploma Programme, Victoria College of Art Exhibitions 2003 "My
Red Garden", Oceanside Arts Council Gallery, Parksville, B.C. 2002 "For
the Love of Red Paint", Plaskett Gallery at the Massey Theatre, New
2004 3rd
Lessedra World Art Print Annual, National Palace of Culture, Sophia, Bulgaria. 2003 Fine
Arts 2003, Sooke, B.C. 2002 Montreal
International Miniature Print Biennial. 2001 Fine
Arts 2001, Sooke, B.C. 2000 Fine Arts 2000, Sooke, B.C.
2003,"Raven/Shapeshifter",
Fran Willis Gallery, Victoria, BC 2002 Christmas
Show, Fran Willis Gallery, Victoria, B.C. 2001 Christmas
Show, Fran Willis Gallery, Victoria, B.C. Upcoming 2005 Three
person show, Campbell River Art Gallery, date to be arranged. Artist's statement A longtime professor of French literature and of Women's Studies, literary critic, author and photographer, I became a student at the Victoria College of Art, graduating as an associate in 2001. Since then I have had seven solo shows in B.C., had work (almost always prints) in twelve juried shows and taken part in thirty one group exhibitions. I have had prints selected for the Third Tokyo International Miniprint Triennial 2002, the Montreal International Miniprint Biennial 2002, the Third Lessedra World Art Print Annual in Sophia, Bulgaria 2004, showed prints in the National Library of South Africa, Cape Town and won Juror's Awards in the local shows at Sooke and Delta B.C. My interest in movement seems to make me somewhat unusual amongst printmakers. I work with gesture, movement and shadow, pattern and texture. My prints are figurative and made in series with a pochoir technique. They suggest stories, which are left to the viewer's imagination as "characters" shift and multiply, each print different from, yet born out of, the one before. Split selves and shadows emerge as figures move through space and, by implication, through time. Method and subject work together: the process creates shadows on the plate as the original form meets itself, dissolves and is renewed. This means that although it is not possible to make identical multiples, it is possible to make an long succession of prints, related by ink colour and shared "character", which are all different and all originals. The state
of today's world demands reflection. I find myself brooding on the scale,
variety and complexity of human problems, searching for visual structures
by which to express the joys, struggles and devastations that surround
and overwhelm us all. I find that structure in Dante's "Divine Comedy"
(whether or not one accepts his core religious belief). The work begins
in the inferno at the centre of the world, full of "hot spots",
horror and despair, passes over sea and land where people struggle and
plod in semidarkness up to the joys and freedom of light and air. The
shape of the world, the elements essential to life, description of the
human condition and commentary on the politics of the time---every thing
is there, ready to accommodate the shifts in my experience and the different
aspects of my work.
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