A Selection of Prints
in Various Media

(Click on the image to see it enlarged.)

Kenneth Kerslake
U.S.A.

Bouquet

 

Ref: KK-01
Vitreograph
1991
Image size: 23x30"
Edition: 50
Price: €650




A Circle of Light

Ref: KK-02
Intaglio Print
1989
Image size: 24x35"
Edition: 25
Price: €500

A Corner for Musing

Ref: KK-03
Intaglio Print
1991
Image size: 16.5x23.5"
Paper: Arches

Edition: 40
Price: €500


Digital Mirror

Ref: KK-04
Waterless litho and digital transfer
Image size: 18x24""
Paper: Rives BFK
Edition: 30
Printers: Judith O'Rourke & Dan Durrance
Price: €750

Man in the Middle

Ref: KK-05
Lithograph, Intaglio, Ink Jet Transfer
2000
Image size: 10.5x21"
Paper: Rives BFK
Edition: 46
Price: €500

The Last
Of the Light

Ref: KK-06
Aquatint, etching, boiled grounds on two copper plates and digital transfer
Image size: 18x24""
Paper: Rives BFK
Edition: 23
Printers: Judith O'Rourke & Dan Durrance
Price: €500

Receding Shadows
of Our Conversation

Ref: KK-07
Siligraph
1997
Image size:17.75x12.74"
Paper: Arches 88
Price: €700

Time Line

 

Ref: KK-08
Digital transfer and vitrograph
Image size: 18x24"
Edition: 29
Paper: Rives BFK
Printers: Judith O'Rourke & Dan Durrance
Price: €600

 

Sunlight Blues

Ref: KK-09
Vitreograph
1991
Image size:19x24"
Paper: Somerset
Edition: 50
Price: €800

 

Where are we? Where are we going? Why are we going there?

Ref: KK-10
Siligraph
1997
Image size: 22.25x34.5"
Paper: Somerset
Price: €1200

Wind Warp

Ref: KK-11
Etching
Image size: 3 1/4x4"
Edition: 20
Price: €150


The Journal-Filtered Memories

Ref: KK-12
Siligraph & Ink Jet Transfer
1998
Image size: 18x24"
Paper: Somerset
Price: €750
Explanation of unusual media:
Vitreograph
A print created on 3/8 inch thick plate glass with sandblasting, frosting and diamond point bits in a flexible shaft high speed drill. Inked like a metal plate intaglio and printed on an etching press.
Waterless Litho (lithography),
sometime called Siligraphy

A print created on glass, or aluminum litho plates with water soluble crayons, pencils or washes (tempera paint water and a dash of dish soap or Xerox toner). The plate is processed with a dilute solution of silicone and buffed down like gum on a litho stone. Drawing is washed out with water, rolled up with oil based litho inks. Unlike regular litho the plate is not sponged with water as silicone will reject the ink.
     

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