![]() |
A
Commemorative Print Portfolio Coordination
and text by Rodney Hopley
|
|
On March 21st 1960 the savage massacre of 69 people, including 8 women and 10 children, (180 people were wounded, including 31 women and 19 children) spelled the beginning of the end for the apartheid regime in South Africa. The apartheid regime had introduced the Pass Laws System. Under this law all black men and women were compelled to carry a Pass Book. This enabled the white supremacist regime to restrict the movement of black people around the country and to check on their whereabouts. Anyone found without their book would be arrested and detained for up to 30 days. This was one of the most degrading and humiliating laws of the South African government. |
|
On the 19th December 1959, Robert Sobukwe, the leader of the Pan African Congress (PAC) an anti-apartheid liberation movement in South Africa decided to embark on a campaign directed against these Pass Laws. He made a press statement " I have appealed to the African people to make sure that the campaign we are about to embark on, must be conducted in good spirit and non-violence, I am sure that they will heed my call. If the other side (government) so desire we will provide many opportunities to demonstrate to the world how brutal they can be". On March 21st 1960 the PAC organized a march to the police station in Sharpeville. The aim was for all black Africans to leave their Pass Books at home and present themselves there for arrest. About 7000 people gathered at Sharpeville Police Station.
|
|
|
|
The police claimed that they were in extreme danger because the crowd were stoning them and that they were armed with weapons which littered the area when they left. Photographs taken by the press later revealed that the protestors were unarmed and only hats, bicycles, shoes and other personal belongings were left among the dead and injured bodies. The rest of South Africa and the international community reacted with shock and horror to the Sharpeville Massacre. Almost every country in the world turned from anger to angry condemnation. Since that time international public disgust with apartheid South Africa was manifest in her total isolation from normal human contact with the rest of the world. |
|
Memory is what enables human beings to recollect what happened in the past and reflect on it for future reference. The opportunity I was given to contribute to the "Sharpeville Remembered" Commemorative Print Portfolio compelled me to take another look at recent South African history. The confrontation with the human carnage that marred March 21st 1960, resulted in a meditation on the nature of human suffering that results from the exploitation and oppression of one people by another forced me to re-asses many notions about the world in which I find myself.
|
| "Remembering
is not merely reminiscing.
A recalling of the past must be acted on by forward-looking intelligence,
to be applied in our actions in the present. Memory applied in this way
allows us all to be the best people we can be."
Artist statement by one of the participating artists. - Hardus Lourens The Sharpeville Remembered Print Portfolio was produced to honor the martyrs of Sharpeville as well as to pay homage to all who died because of the oppression of the apartheid regime. |
|
The
portfolio was produced as a collaborative effort
between the Department of Visual Arts and Design at the
Vaal Triangle Technikon in Vanderbijlpark , South Africa
and the Artist Proof Studio in Johannesburg. The portfolio was coordinated
by Rodney Hopley (project leader) and Avi Sooful from the Vaal Triangle
Technikon and Nhlanhla Xaba and Osiah Eleven artists from the Vaal Triangle region (which is where Sharpeville is situated) and eleven artists from Johannesburg each produced an edition of 55 prints which illustrated their individualized personal responses to the massacre. The prints were editioned in the studios of the Vaal Triangle Technikon's printmaking division and the Artist Proof Studio respectively. |
|
The portfolio was completed to coincide with the opening of the new monument in Sharpeville on the 21st March 2002 and was exhibited in the old holding cells at the Sharpeville Police Station where the massacre took place. The new monument is adjacent to the police headquarters. The portfolios are for sale at $2000.00 each. All proceeds from these sales will be donated to the Pholokong Children's Home which cares for children affected by HIV/Aids. This portfolio was made possible by generous funding from the National Arts Council of South Africa, the Arts and Culture Trust of the President and the Vaal Triangle Technikon. |
|
Sadly, the Artist Proof Studio in Johannesburg was destroyed by fire earlier this year and one of the coordinators and participating artists in this project, Nhlanhla Xaba, died in the fire. We would like to dedicate the submission of this portfolio in World Printmakers to Nhlanhla and to the Artist Proof Studio.
Contact
Details: Images by: Godfrey Tiali, Penny George, Kim Berman, Ian Marley, Ello Asha, Lidumo Gqotso, Simon Mtunkhulu, Rodney Hopley, Gabriel Mazibuko, Trevor Thebe, Oseah Masekoameng, Nhlanhla Xaba, Hardus Lourens, Reshma Maharajh, Obed Mbele, Pontsho Sikhosana, Danny Nhleko, Jacob Molefe, Diane Victor, Jacob Motsoane, Charles Nkosi, Muzi Donga and Avi Sooful. |
About
Us | Advertise
| Artbooks
| Art
Gifts | Articles/Interviews
| Artists
| Authenticity | Business
| Charo's Collection Collectors'
Info | Conditions | Conservation
| Contact | Dictionary
| Downloads | Editions
| Etching Presses
|